Haneen is an inclusive platform that celebrates the multiplicity and diversity of thought inherent to cross-cultural collaboration. We aim to provide a digital archive for writers, artists and filmmakers from all backgrounds, particularly those whose voices are not often heard.
Haneen: a living archive that you can return to again and again.
On belonging, displacement, and the art of return
A literary short story about an aged woman crocheting lace in her final years, as memories of her life surface stitch by stitch - a childhood in a Polish village, an early trauma in a wheat field, an arranged marriage, motherhood, and finally refuge in the company of other women.
To walk through an Arab city is to be educated by the senses before the mind has a chance to form an opinion. Colour comes first — then smell, then sound, layered and without hierarchy.
To walk through an Arab city is to be educated by the senses before the mind has a chance to form an opinion. Colour comes first — then smell, then sound, layered and without hierarchy.
Leïla Ferrand has written for the magazine about a film set entirely at a bus stop and about the vocabulary of moving house. She programmes small screening series in community halls in Lyon and Montréal, and she is working on a book about films in which nothing arrives on time. W
READ →For the third conversation, Kasper Nyholm travelled to Trieste to record the essayist Ettore Castagnola in the back room of a second-hand bookshop that used to be his. They talk about the notebook of marginalia he has kept for twenty years, about the letters he left in a kitchen
READ →On the first Saturday of September, Leïla Ferrand showed Low Tide at Six in a community hall on the Croix-Rousse, as part of the small screening series she has run there for four years. Hana Morrow came over from Glasgow for it. The two had never met in person. When they recorded
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